There is a moment late in Masters of the Universe when Skeletor looks at Prince Adam and describes him as a muscular man wielding a powerful sword between his thighs. By then, ...
The first thing that struck me about Kane Parsons' Backrooms wasn't the monsters, or, as they refer to them, "Simulacrums."
It was the silence.
Not literal silence, but...
In an era when horror films often try to overwhelm audiences with CGI spectacle and AI-assisted visual effects, Obsession succeeds by remembering something much simpler: if we ...
Okay, this review is late, but whatever. Let’s be honest. Toy Story 5 did not need to exist. After the nearly perfect emotional closure of the first three films, and the more...
Let’s get this out of the way: Supergirl is not the disaster some critics have made it out to be.
Is it great? No. Is it uneven? Absolutely. Does it show some of the scars...
There is a compelling movie buried inside SYNC, RJ Zabasky’s near-future sci-fi drama about grief, artificial intelligence, and the dangerous temptation to resurrect the dead...
Toy Story 5 opens today, more than 30 years after Woody, Buzz Lightyear, and the rest of Andy’s toys first changed animation forever.
When the original Toy Story arrived i...
I wasn't entirely sure what to expect going into Prime's new series, Spider-Noir. A Spider-Man series starring Nicolas Cage as a washed-up private investigator in Depression-er...
By the power of Grayskull, it sounds like Masters of the Universe may actually have a hit on its hands. The first social reactions for director Travis Knight’s long-awaited l...
The review embargo has officially lifted for The Mandalorian and Grogu, and critics are sharply divided over Disney’s first theatrical Star Wars release since 2019's The Rise...
The sound arrives first, the restless pulse of “Wanna Be Startin’ Somethin’,” building under the image like something gathering force. Then the details come in fragment...
There is something strange about comparing the latest Wuthering Heights adaptation by director Emerald Fennell to Alfred Hitchcock's Rear Window. One is windswept moors, erotic...
Maybe director Brett Ratner should stick to making Rush Hour films. Definitely not X-Men films. Or just go back under a rock. The rollout for Amazon MGM's documentary Melania h...
Set in the 1950s, Josh Safdie's (Uncut Gems) new film, Marty Supreme, tells the wild story of Marty Mauser, a fast-talking, endlessly persuasive ping-pong prodigy, gr...
With Avatar: Fire and Ash, James Cameron once again reminds audiences that no one working today commands scale, technology, and immersion quite like he does. As a piece of film...
Wicked: For Good isn’t a kids’ movie by a long shot, nor is it simply a feel-good musical. No, Wicked: For Good becomes the first major studio musical in decades willin...
Jeremy Allen White’s casting as Bruce Springsteen in Deliver Me from Nowhere may surprise some viewers. Still, to anyone familiar with his work in The Bear, the choice feels ...
As Wicked: For Good, the second chapter of the blockbuster two-part adaptation, hits theaters, critics are landing in that familiar zone of “mixed but leaning positive.” It...
Look, I’ll admit — I’ve rewatched too many episodes of The Mandalorian and The Last of Us to resist seeing Pedro Pascal as a bona fide MCU star. And with Marvel’s The F...
Marvel may finally be stretching back into form, literally and figuratively, with Fantastic Four: First Steps, the studio’s 37th entry in the MCU and, according to critics, a...
