Cut+Run has announced that editor Kamila Daurenova has joined their roster of award-winning editors. Kamila’s body of work is punctuated with a powerful sense of dynamic rhythm and a passionate eye for supporting cinematic storytelling – often with identity at its center. Kamila is based in New York and available for Cut+Run collabs nationally and internationally. “Kamila has … Continue reading “Cut+Run rings in 2023 with Kamila Daurenova”
Editor Amy Rosenberg brings her artful eye and electric creative spirit to Cut+Run. With a baseline belief that every edit requires its own unique formula – part art, part science – Amy has developed not only a unique vision and style, but a speed and articulation that is a thing of beauty. “Amy has this ability to … Continue reading “Cut+Run welcomes editor Amy Rosenberg”
Cut+Run is excited to welcome Brian Stanley as Executive Producer of the company’s San Francisco office. Brian has been a longstanding member of the San Francisco advertising community. He has worked for top agencies in the Bay Area producing projects for Venables Bell & Partners, Heat, Pereira O’Dell, Goodby Silverstein & Partners, and Muhtayzik Hoffer and … Continue reading “Cut+Run welcomes Brian Stanley as EP”
Cut+Run announced today that Brady Fiero has been named Head of Production for the company’s Los Angeles, San Francisco and Austin locations. Fiero has been a part of the Cut+Run family for four years, first as a producer who helped expand the company’s San Francisco presence, then in Los Angeles as a producer and senior … Continue reading “Brady Fiero named Head of Production for Cut+Run LA, SF + Austin”
Cut+Run announces that Beau Dickson has been promoted to Editor. Based in New York, Dickson’s work can be described as the harmonious intersection of narrative-enhancing graphics and editorial storytelling. The combination of unexpected things is where Beau’s creativity thrives — from exploring underserved stories to juxtaposing elements to develop a new vantage point. Throughout all of Dickson’s … Continue reading “Cut+Run announces Beau Dickson promoted to Editor”
Editor Adam Bazadona, who has been based out of Cut+Run’s NY office since 2009, is heading west to join the team in San Francisco led by Partner/Editor Pete Koob and EP Deanne Mehling. Bazadona will continue to be available for projects nationwide. “Adam has an incredible eye and his projects have an indelible imprint on both … Continue reading “Cut+Run: Editor Adam Bazadona heads to West Coast office”
Let’s just say this new Gold Bond spot could not have been done without balls on at least one of the creative’s parts. “Schweaty” ones to be exact. The leading skincare brand recently debuted an irreverent new national TV and social campaign to tout its iconic body and foot powder products. Part of Gold Bond’s … Continue reading “Gold Bond: Cut+Run’s Grover does not drop the “ball””
Cut+Run’s Brian Mulvey has been promoted to Senior Producer. Known by friends, colleagues, and clients for his generosity of spirit and unflappable work ethic, Brian has produced notable projects spanning many genres, from comedy spots to music videos, feature films, and commercials. Among them, spots for Geico, Sling TV, the Grammys, and the 2020 Super … Continue reading “Cut+Run promotes Brian Mulvey to Senior Producer”
“Editing is my art; it’s the way I express my creativity. I’m very passionate about it and try to add my fingerprint and vision into anything I touch,” says acclaimed editor, Mah Ferraz. Mah joined the Cut+Run editorial roster in February 2021. Her past work includes collaboration with Nike, adidas, Apple Music, Spotify, Instagram, ESPN, Vogue, Marc … Continue reading “REEL WOMEN: Cut+Run editor, Mah Ferraz”
“Black Joy Manifesto” is a short film and poetic love letter to the beauty and importance of Black lives. Created by PASSERINE’s Adam Tillman-Young and Shalonda Cornitcher and edited by Cut+Run’s Aika Miyake, the film features a wide variety of portraits, some static, all vibrant, set to a celebratory, emotive voice-over that speaks uplifting truths: Dear … Continue reading “Cut+Run’s Miyake edits ‘Black Joy Manifest’”
Our friends at Cut+Run have announced the addition of talented Jen Dean to its family of award-winning editors. A native Texan, Dean went from studying experimental cinema with Stan Brakhage and Phil Solomon in Boulder, to assisting Hank Corwin for many years at Lost Planet. Both experiences proved invaluable as she became an editor in … Continue reading “Editor Jen Dean joins Cut+Run”
Aika Miyake isn’t just an astounding editor for Cut+Run, the Japanese immigrant, known for her dreamy tableaus, comedic timing and poignant storytelling, is also a huge fan of Netflix’s critically-acclaimed and Emmy-nominated Chef’s Table. As the series returns for its 4th mouth-watering season today, Miyake finally saw her dream come true — editing episode 4 … Continue reading “Cut+Run’s Miyake sees the smoke in ‘Chef’s Table: BBQ’”
No one knows when Golden State Warrior’s Klay Thompson will step on the court again. Thompson tore his left ACL in Game 6 of the 2019 NBA Finals on June 13 and underwent surgery on July 2. Above the Waves is a short film for Kaiser Permanente that documents the All-Star on his mental and physical road … Continue reading “Cut+Run’s Peterson edits short on Warriors’ Thompson”
Happy Valentine’s Day to the Reel 360 readers! Avoid high-pressure decision-making with this new Valentine’s Day campaign for Jared, edited by Cut+Run’s Gary Knight and directed by Biscuit’s Clay Weiner for McKinney. The Jeweltones, a sage vocal group, once again lend their voices to help you find the right way to say I love you … Continue reading “Cut+Run’s Knight cuts V-Day campaign for Jared”
For Texas Lottery and agency Third Ear, Director Noah Marshall and Cut+Run Editor Gary Knight take you on a journey in reverse, opening on a holiday celebration filled with balloons and confetti. What gift would lead a grown woman to celebrate by sliding down the banister? Hint – a winning lottery ticket of course. Give … Continue reading “Texas Lottery wins with Cut+Run editor Knight”
Dell Technologies has always believed technology has the power to solve some of the world’s greatest challenges, break down barriers, and create opportunity for all. This year, the Round Rock Texas-based company partnered with Ballet Austin and eSight to give members of the visually impaired community an even more magical holiday. Thanks to leading visual-assistive technology developed by eSight, they … Continue reading “Dell, Cut+Run’s Stephen Jess help blind girl see”
News media and journalism has been at the center of national debate for several years, propelling media companies such as the Los Angeles Times to express the value of trustworthy, fact-based reporting and journalistic integrity to consumers. Now a new campaign, from the award-winning outlet, speaks to this importance, not only to greater Los Angeles, … Continue reading “Cut+Run’s Oppenheimer edits LA Times campaign”
The holidays are a time of reuniting with people you love. But for some, it’s not that simple. As millions prepare to go home for the holidays, 44% of LGBTQ people feel they can’t come home as their true selves. Pantene has set out to address this. A new campaign from Pantene and GREY New … Continue reading “Cut+Run edits #BEAUTIFULGBTQ Pantene campaign”
It’s been a minute, actually years, since I’ve used my Shutterfly account. Imagine my delight when I opened it found photos I had forgotten about. It reminded what a valuable site it is. So, it’s nice to see Shutterfly doing a campaign about families. Created by agency Argonaut, the new campaign celebrates the fact that … Continue reading “Cut+Run’s Eskin knows Anything Flys w/Shutterfly”
Jordan knows that basketball means family. In the new spot, “Unite” Passerine Director Adam Tillman-Young and Cut+Run Editor Aika Miyake teamed up to show how family ties are forged on the court with every win, and every loss. As players and spectators, we never fly alone. We are united. We are family. “This really was … Continue reading “Cut+Run editor Miyake, Jordan unite families”
