Post-production house, Blue Table Post, founded by Emmy Award-winning editor Oliver Lief, has recently expanded its talent roster with editors and colorists with experience in both entertainment and advertising, and developed a semi-remote collaboration process where clients can work from Blue Table’s private garden terrace.
Known for his comedic timing and knack for visual storytelling, Crandall Miller has collaborated with a range of NYC’s top agencies for nearly two decades, shepherding high-profile projects seamlessly through the post process. Crandall has cut music videos for the likes of Beck, Fall Out Boy and Feist, and the music video spoof “Tea Partay” for Smirnoff which became a viral sensation winning awards at AICP, Cannes, and D&AD.
In addition to his award winning commercial and music video work, Crandall has edited numerous short films that have been featured in festivals across the world.
Katie Pehowski is a film and television encyclopedia who has worked as an editor for Grey, BBDO, McCann, GSD+M, FCB and received a One Show award for her work with Saatchi Wellness on the Crossroads Community Service campaign to combat hunger and homelessness in NYC. Known for visually striking and docu-style commercial work, she is also well-versed in editing for social and non-standard formats.
Born and raised in Chicago, Dean Gonzalez established himself as a versatile editor, working with music video artists like Aerosmith, Red Hot Chili Peppers, NAS, LL Cool J, Kid Rock, Nicki Minaj and commercial clients such as Reebok, Nike, Bose, J. Crew, Michelob Ultra, McDonald’s and Kohl’s. Dean edited the Green Day documentary “Heart like a hand Grenade,” and “The Tale of Four,” Actor Gabourey Sidibe’s directorial debut.
He also cut the 2017 Cannes Film Festival premiering film They, produced by Jane Campion and directed by Anahita Ghazvinizadeh, which was nominated for the Golden Camera and Queer Palm award.
CJ Dobson, CSI has been a colorist working for over 11 years on award winning commercials, narrative features and documentaries. Her mastery across multiple genres informs each project with a unique perspective. Having worked at some of the industry’s leading post production facilities and joined Blue Table’s roster for remote work from Melbourne. Some of her most notable work is Tanna (2017 Academy Award nominee for best international feature film), Escape from Pretoria, and Relic (2020 Official selection Sundance and SXSW).
Liz Fornango has been in post production for a decade as both an editor and a colorist. Her work includes award-winning independent features and shorts, commercial work for GRRRL Clothing and Total Wine, music videos, and social campaigns.
Liz approaches every project with a fresh creative view and enjoys the collaborative work of developing her clients’ vision into reality. Outside of post production, Liz plays the vibraphone and is a book nerd and a cyclist. Liz is available for remote work from Los Angeles.
Sharon Lew began her career in commercial film production and went on to launch Lew & Co. as an Independent Repping Company. Lew & Co has represented and consulted for many iconic commercial, music video, and post-production companies.
She has also represented top tier feature directors such as Quentin Tarantino, John Woo, Robert Rodriguez, Christopher Guest, Mark Pellington and Jesse Peretz to name-drop a few. She has been called on as a Consultant, a Recruiter, and an Executive Producer as well as a Rep.
Reel 360 wishes everyone the best of luck at Blue Table.
SOURCE: Hype World